The Matrix :: essays research papers

The Matrix, The horse opera Never KnownAs express by the title, there is salient reason why the Matrix should be treated in the very(prenominal) context, although non identified, as a western. This de compositiond genre is steeped in tradition and lore. There are humannessy definitions abound as to what may stand for a westward film. The main goal is to see whether or not this paper can illustrate the genre be pushed towards the future. Whether it means the twentieth century, the 21st century or the distant future. This genre can arrive towards or sothing bigger and to a greater extent exciting. This paper leave attempt to explore this tip over and give reasonings as to what defines a Western, how the Matrix lives up to and modifies the stated definition, will go into the films background such as director, producer, film reviews, etc. Finally the paper will discuss the theme, tone, setting, characters and casting, acting style, lighting, im seasonry, musical theater sco re, and special effects. Defining a film genre is in some ways sticky and simplistic. Every genre has stated what would define its boundaries. The difficult part is finding one that is solidified by the movies in the genre. The stated definition that this paper will digest and regurgitate is that a Western is a film which is set in the American frontier west. The common time setting is somewhere in the mid to late nineteenth century and early 20th century(Dirks, 1). They glorify the past-fading values and aspirations of the mythical by-gone age of the American West(Dirks, 1). Over time, however, Westerns have been redefined, re-invented and expanded, dismissed, re-discovered, and spoofed. This actually makes the definition more lucid, making other films flexible enough to fit quite nicely into the genre.Westerns withal state that these films represent the ideals of a growing nation. Expanding and maintaining established territories is what is at the heart and soul of greyer Wes tern films as Manifest Destiny puts up in dialogue constantly. This particular fact is a main point which will be revisited. Dominating the unknown and uprooting natives or peoples who have been established pine before the conquerors. There are many central conflicts in old westerns. The battle between good and evil is the most common. Others include man vs. man, east vs. west, human vs. nature, or in the Matrixs case, man vs. machine. Does the Matrix live up to these ideals of a Western? Yes, in more ways than one.